Sure it’s hot and steamy this time of year along the shores of Lake Michigan, but then so’s the music. We’re talking about is Chicago’s Pitchfork Music Festival folks – an edgy, entertaining three days which showcases some 40 of independent music’s best bands and most authentic artists.
Set for noon, Friday the 13th, through 10 pm, Sunday July 15, thousands of commensurately independent souls will gather in Chicago’s Union Park. If you’re planning on coming and don’t already have a ticket know that three-day passes are long gone – sold out. That leaves single-day tickets at $45 each. In the world of mega-music festivals the price is still a comparative bargain. The festival puts it this way: “With so many blockbuster festivals gouging their attendees out of absolutely obscene sums of money…our goal is to do the right thing.” That thing, says Pitchfork, is to “create a reasonably priced summer music festival,” one that’s comfortable and fun.
Add to the comfort of your fellow attendees by recycling plastic cups, bottles, aluminum cans and paper. You’ve no excuse not too. Some 130 blue recycling bins are set up around the grounds.
Who’s bringing on the buzz this year at Pitchfork? Start with Willis Earl Beal, whose debut album “Acousmatic Sorcery” was recently released. The artist’s repertoire resonates with authenticity. No cookie-cutter sounds will emanate from the Blue Stage Friday at 4:15 p.m.
The decibel level does battle with your ears Friday the 13th as the Japandriods take to the Blue Stage at 6:15 pm Brian King is on guitar and David Prowse on Drums.
Saturday, July 14 the Blue Stage is also the setting at 8:40 pm for Grimes. Her music draws creative nourishment from lots of influences and her vocal quality is flat-out unforgettable.
And so too should be Pitchfork 2012.
(Image: Incase)
